• To Palestine with Love

    Najwa Kawar Farah

    Najwa Kawar Farah relates emotions of love and longing in this moving collection of poetry and paintings.

  • Palestinian Embroidery Motifs

    Margarita Skinner

    The tradition of embroidery is one of the great art forms of village life in Palestine.

  • Nostos

    Maath al-Alousi

    Despite the layer of a sweet sadness that is suspended over it, the city does not sleep at night...

  • Vanished

    Ahmed Masoud

    A fictional story set against the political unrest in Palestine, following a young boy trying to find his father.

  • Glafkos Clerides

    Niyazi Kizilyurek

    An intellectual journey in the modern political history of Cyprus.

  • Rue du Mexique

    Suhail Bulos

    From tales of surreptitious teenage romances in Jerusalem, to day-long curfews during the Lebanese civil war and a renegade rooster in Beirut.

  • Threads of Identity

    Widad Kamel Kawar

    A record of 50 years Kawar spent researching, collecting and preserving part of the Palestinian heritage.

  • Jerusalemites

    Dr Hazem Zaki Nusseibeh

    As a senior politician and diplomat, the lure of Jerusalem, the city of his birth, remained strong.

  • Lovesong

    Afaf Zurayk

    An exquisite celebration of one of the deepest and strongest of human emotions.

 

In the Press

Find out what prominent press and media outlets have to say about our authors and publications. Browse through reviews in our 'in the press' library.

September 14, 2015

THE JORDAN TIMES - Hard choices in a land of hardship

The very name Gaza brings to mind the hardships its inhabitants have to deal with, chiefly Israeli aggression and occupation, and the resulting poverty, devastated infrastructure and crowdedness. Palestinian author Ahmed Masoud conveys a vivid sense of these problems and how Gazans tackle them by letting Omar Ouda, the main character in "Vanished", narrate his life, a life which is framed by incredibly difficult choices.

 

Perhaps the most insidious aspect of the occupation is that by controlling Palestinians' lives at every turn, it whittles down their choices. None of the choices open to Omar are good, and sometimes there is no choice at all.

 

Omar wants to be just like any other boy, like, say, his best friend, Ahmed, whose life is also limited by the hardships of Jabalia Camp, but who has a close-knit, loving family to protect him and anchor his identity. In contrast, Omar's family is a source of puzzlement and anxiety because his father is inexplicably absent. He has a guardian, his uncle, but Uncle Attiya deals harshly with the boy.

 

While Omar's mother cares for and loves him, she will not answer his burning questions about his father. "Perhaps this is what pushed me to proclaim myself the youngest detective in the Jabalia Camp at the age of eight." (p. 15)

 

Omar's decision to make finding his father his top priority drives the plot and leads him into danger, unsolvable dilemmas and a maze of terrible family secrets.

 

The "detective work" Omar embarks on in 1989 soon runs into a dead end. Only Um Marwan, the woman next door, tells him something useful: that his father was "the most educated man in the whole of the neighbourhood, with a Master's in Arabic Literature from Cairo University at a time when most people around him rarely finished high school". (p. 21)

 

This information pushes Omar to excel in school, despite frequent disruptions and closures, and eventually to enrol in university, but it is not enough to satisfy him. In desperate naiveté, he contacts the Israeli general in charge of Jabalia, who is more than happy to exploit a young boy's longing for his father. Thus begins Omar's double life, which distances him even more from the normality he seeks.

 

The novel is narrated by the adult Omar who by now lives in London with his British wife and their four-year-old son, Mustafa, named after his missing grandfather. When Israel unleashes its horrific war on Gaza in the summer of 2014, Omar feels compelled to go home.

 

Thinking that something may happen to him on the trip, he starts a letter to his son, explaining his life, as he boards the plane to Cairo. His motivation for writing is clear: "I spent my whole life wondering where my father was, and I don't want the same to happen to you... I leave it to you to judge whether I was a coward or not, but please remember that I had no choice in all of this." (p. 13)

 

Masoud deftly alternates the stages of Omar's journey in now-time with the gradual unfolding of his past, rounding out the characters and conveying how Palestinians experienced the tumultuous events from the late 1980s onwards. Omar recounts personal as well as collective experiences, from his youthful exuberance while throwing stones at Israeli soldiers during the Intifada, to his mixed feelings about the Oslo accords and their aftermath.

 

While his reactions seem typical of his peers, for Omar things are always doubly conflicted. His political ideas and personal feelings fluctuate, governed by his obsession with his absent father and the choices he made as a child.

 

Masoud is skilful at building up suspense; he drops no early hints of what happened to Omar's father. On the contrary, he throws out a lot of misleading clues. In the end, the nature and role of several pivotal characters turn out to be totally different from what Omar (and the reader) have imagined. Good guys turn out to be bad guys, and vice versa.

 

Only the soldiers of the occupation stay the same. This is a story about the immorality of the occupation and the resilience of a young boy. It is also a case study in how adults should not treat children, yet hope springs from Omar's decision to break the cycle which made his growing up so conflicted, by being honest to his son. Finally, he has the chance to make a good choice, but only when he no longer lives in Gaza.

 

by Sally Bland

The Jordan Times, page 14

 

* source

Vanished
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